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Behind the Facade by Alister Benn

Behind the Facade

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Who am I?

Who am I?

Am I a suit and a clean pair of shoes, punctual and articulate, or am I sleeping in the rain under a bridge in Glencoe? Am I Scottish, British or European? If I drop some money into the cup of a homeless person does that make me compassionate, or do I do that to appear compassionate? Does wearing black make me boring, or daring, a rebel or unimaginative? – Who am I? – You tell me, your perspective of these things defines who you think I am.

[/vc_column_text][vc_empty_space height=”15px”][qodef_blockquote text=”Who am I? – You tell me, your perspective of these things defines who you think I am.” title_tag=”h3″][vc_empty_space][/vc_column][/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner][vc_single_image image=”57456″ img_size=”large” alignment=”center”][vc_column_text]

Lost in Paradise

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Why ask yourself these questions?

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I make photographs for a living, and I ask these questions because as soon as we share a photograph, it and us get judged. Other people rate our work, they critique it, they make suggestions for improvement based on their perspective of our perspective and on the most basic level they make a decision of “I like that,” or “I don’t like that.” Judging is endless in photography: Is it photoshopped, is that real, that’s not a photograph, it’s a digital creation, if it’s not film it’s not a photograph etc. Much of contemporary photography is a popularity contest, which leads people to make images that in all likelihood will be popular, following the lowest common denominator principle. Judging is a fundamental of human nature – we do it all the time, usually with our first impression, which people refer to as their gut. “I always trust my gut, it’s never wrong!”

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We choose the bits we want to show.

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In my mind however, I believe photographs, like words can be a facade; something we choose to show someone else with our intention as a desired impact. Whether they represent the honest opinion of the photographer or the whole story is immaterial. For years I called landscape photography “lying by omission” as we choose to isolate the bits we want to show to tell our stories. How often do we compose the washed up plastic on a beach in our seascapes? There is no guarantee of truth in photography, only the contents of the frame.

[/vc_column_text][vc_empty_space height=”15px”][qodef_blockquote text=”I believe photographs, like words can be a facade.” title_tag=”h3″][vc_empty_space height=”15px”][/vc_column][/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner][vc_empty_space][vc_single_image image=”57466″ img_size=”large” alignment=”center”][vc_column_text]

Land of Giants

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Photographers are storytellers.

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I would say the photographers I admire are great story-tellers, taking me on journeys, both literal and metaphorical, emotional and tangible. Do their images give me an insight to their personalities, or their true self? Perhaps, but not necessarily. I try not to judge! I can say I don’t like something, but that doesn’t mean it’s bad. What is important for me when I view an image is “how does this make me feel?”

[/vc_column_text][vc_empty_space height=”15px”][qodef_blockquote text=”How does this make me feel?” title_tag=”h3″][vc_empty_space height=”15px”][/vc_column][/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner][vc_empty_space][vc_single_image image=”57470″ img_size=”large” alignment=”center”][vc_column_text]

The Promise

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How does it make them feel?

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When people view our work what type of words are they going to use to describe how they feel? “I love the mood, the energy, the emotion, the mystery, the drama, the sense of adventure” are all adjectives. Only photographers occasionally use technical language in these descriptions, but you don’t often get “I love the fact you used ISO 64 to make this photograph!”

[/vc_column_text][vc_empty_space height=”15px”][qodef_blockquote text=”When people view our work what type of words are they going to use to describe how they feel?” title_tag=”h3″][vc_empty_space height=”15px”][/vc_column][/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner][vc_empty_space][vc_single_image image=”57472″ img_size=”large” alignment=”center”][vc_column_text]

Magnetic Fields

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We should put those feelings into our work.

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If people are going to use adjectives to describe the impact of your work on them, it stands to reason that we should put those adjectives into our work at the front end during capture and/or processing. When I am working images I make a decision on what I want to say. I use adjectives like the ones listed above to make creative decisions on how the final image will look and feel. Is this based on reality of the event? Sometimes, or partly, or not at all. It purely depends on the facade of the day. The physical geography of the landscape remains unchanged, it is a graphical template on which to dodge and burn my expressive artistic intention.

[/vc_column_text][vc_empty_space height=”15px”][qodef_blockquote text=”When I am working images I make a decision on what I want to say. I use adjectives like the ones listed above to make creative decisions on how the final image will look and feel.” title_tag=”h3″][vc_empty_space height=”15px”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][vc_row_inner][vc_column_inner][vc_single_image image=”57461″ img_size=”large” alignment=”center”][vc_empty_space][/vc_column_inner][/vc_row_inner][vc_column_text]

Who am I?

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Am I a suit and a clean pair of shoes, punctual and articulate? – yes, if I’m going into a negotiation.

Am I sleeping in the rain under a bridge in Glencoe? – yes when I was discovering Scotland’s landscape as a teenager.

Is our artistic intention to make people feel happy, sad, lonely, inquisitive, motivated, inspired, challenged? – yes, sometimes. We are a sum of many parts, changing with the seasons and each passing breath. We have the right to change our minds and be influenced by others.  We have the right to say one thing and do another! The facade may or may not represent who we really are.

[/vc_column_text][vc_empty_space height=”15px”][qodef_blockquote text=”We have the right to change our minds and be influenced by others. We have the right to say one thing and do another!” title_tag=”h3″][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text]

Gallery

[/vc_column_text][vc_column_text]More images from Alister Benn. Enjoy![/vc_column_text][vc_empty_space][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”57476″ img_size=”large” alignment=”center”][vc_empty_space height=”15px”][vc_single_image image=”56843″ img_size=”large” alignment=”center”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”57477″ img_size=”large” alignment=”center”][vc_empty_space height=”15px”][vc_single_image image=”57478″ img_size=”large” alignment=”center”][vc_empty_space height=”15px”][vc_single_image image=”57479″ img_size=”large” alignment=”center”][vc_empty_space height=”15px”][vc_single_image image=”57485″ img_size=”large” alignment=”center”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”57492″ img_size=”large” alignment=”center”][vc_empty_space height=”15px”][vc_single_image image=”57493″ img_size=”large” alignment=”center”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][vc_separator border_width=”3″][vc_empty_space height=”15px”][vc_column_text]

About Alister Benn

[/vc_column_text][vc_empty_space height=”15px”][vc_row_inner][vc_column_inner width=”1/6″][vc_single_image image=”56813″ img_size=”medium” alignment=”center” style=”vc_box_circle_2″][/vc_column_inner][vc_column_inner width=”5/6″][vc_empty_space height=”15px”][vc_column_text]Alister Benn is an award winning Scottish landscape photographer, author, educator, and guide. He lives on the isle of Skye off the north west coast of Scotland with his wife Juanli Sun. Each year they lead small group workshops and tours to select locations around the Scottish Highlands, Southern Iceland, Northern Spain and of course Tibet and the Himalaya.

Tours & Workshops | Portfolio | Facebook PageNewsletter[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_empty_space height=”15px”][vc_separator border_width=”3″][vc_empty_space height=”15px”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text]

Thanks for Reading!

[/vc_column_text][vc_column_text]That’s all we have for today! If you’ve been inspired, feel free to comment on this post or share your own thoughts with us on one of our social media channels you can reach us on Instagram with @topazlabs and Twitter with @topazlabs. We’re also on Facebook and YouTube! We look forward to sharing the rest of Alister Benn’s year in the very near future, but until then![/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text]

Free Download

[/vc_column_text][vc_column_text]Feel free to download our brand new product, Topaz Studio, the all-in-one photo editor. It works as a plugin, a host editor for your Topaz products, and a standalone editor. Best of all it’s completely free to use![/vc_column_text][vc_empty_space height=”15px”][vc_row_inner][vc_column_inner width=”1/2″][vc_btn title=”Windows” shape=”square” color=”primary” align=”center” button_block=”true” link=”url:https%3A%2F%2Fopen_beta.s3.amazonaws.com%2Ftopazstudio_online_installer.exe|||”][/vc_column_inner][vc_column_inner width=”1/2″][vc_btn title=”Mac” shape=”square” color=”primary” align=”center” button_block=”true” link=”url:https%3A%2F%2Fopen_beta.s3.amazonaws.com%2Ftopazstudio_online_installer.dmg|||”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]

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A Photographer’s Year by Alister Benn

Alister Benn a Year in Review

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Meet Alister Benn

[/vc_column_text][vc_empty_space height=”15px”][vc_column_text]I’ve been making photographs since I was a teenager, with growing aptitude and confidence. At the end of each year I reflect on the past 12 months and usually conclude that I like my most recent work the most. Why should this be? It is not always the case that I have been to the most dramatic landscape in the world, or had the best light, or upgraded to the latest camera. Instead, I have concluded that my preference for my most recent work is because it represents the best version of me, as I am today.

As we entered 2017, I made a commitment to diarize my personal and creative development and summarize it in a quarterly article. Here is my opportunity to share the little and the large revelations I feel are contributing to my own creative growth, along with some of my most recent images.

[/vc_column_text][vc_empty_space height=”15px”][qodef_blockquote text=”At the end of each year I reflect on the past 12 months and usually conclude that I like my most recent work the most. Why should this be?” title_tag=”h3″][vc_empty_space][/vc_column][/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner][vc_single_image image=”56824″ img_size=”large” alignment=”center” onclick=”link_image”][vc_column_text]

Winterscape

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December

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In the middle of the month, at the end of our workshop season, the weather here on the Isle of Skye was foul; storm after storm battered the island and I was stuck in the house for days. Occasional hikes in gales only darkened my melancholy and I was frustrated, troubled with how my increasingly introspective images would fit into a contemporary social media context. Christmas came and went and as I entered the New Year I did so with my usual bird count around the local bay. As I hiked in the mid winter gloom, I knew I had to take some drastic action, and when I got home mentioned to my wife that perhaps we should take a trip to Western China to check out the deserts of the Silk Road.

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Harmonic III

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January

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On the 3rd of January we drove over to Inverness and flew to Urumqi in Xinjiang Province for three weeks exploring some areas we’d never been to. We’ve always been a spontaneous couple, but this was quick, even for us! I’ve had an adventurous life, but I wasn’t prepared for this place: The tallest static sand dunes in the world, rising to over 1700 feet covering an area half the size of Scotland. The driver, plus my wife and I were the only people within thousands of square miles, apart from a very few isolated farmsteads, which are home to the hardy camel/goat herders. Each day we would drive the Land cruiser for miles, up and over these monster dunes, vista after vista of unbelievable scale and majesty. Oh, and it was -20C!

On day two I had an epiphany – a true eureka moment. In a landscape where everything is sand, with no traditional subjects, I had to recalibrate the way I see!

For some time I have been interested in our innate ability to appreciate the aesthetic, and in the desert I started to allow my mind to wander unconstrained over the landscape – subconscious, experiential seeing, the feeling of seeing, what I now call The Chi of Seeing. I would simply stare unfocussed on the flow of the landscape and make photographs at the moments when I was compelled to do so by the feel of the relationships I subconsciously responded to!

[/vc_column_text][vc_empty_space height=”15px”][qodef_blockquote text=”What I was responding to was how the underlying geometry of the landscape made me feel. ” title_tag=”h3″][vc_empty_space height=”15px”][vc_column_text]

In one metaphorical CTR-ALT-DEL moment, I had rebooted my brain from a traditional western cultural upbringing, to one that was unconstrained and free to make personal judgements on what I found aesthetic, regardless of their adherence or not to concepts of correctness.

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In the Labyrinth

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February

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Returning home from China, I had some significant writing commitments to take care of, but I did manage to start looking at the images I had made in the desert. Putting the shots that just showed where we had been to one side, I quickly identified the images I had made based on feel. I graded them 4’s and 5’s in Lightroom and got back to my writing.

Each day, when I was taking a break, I’d take a look at these images and would often find that one in particular would leap out at me and almost demand to be worked, as if it was again clearly communicating directly to my subconscious and articulating a creative direction it wanted me to go in. I’ve spent a lot of time over the years on my processing techniques, and have developed a very innate way of getting the creativity out of my head and into the image with as little thought as possible. All I care about is the WHY, not the HOW.

Through this innate way of seeing and processing, I began to make images that really excited me – to me they were simple, yet profound and each day I was anticipating strengthening that relationship with my work.

The second epiphany of the year came when I realized that the images I responded to each day were different. I am not the same every day; some days I am more energetic, more thoughtful, calmer, optimistic etc. The innate relationships I responded to on each day and how I approached the processing somehow represented a harmony between how I was feeling and the geometry that I found to be aesthetic!

[/vc_column_text][vc_empty_space height=”15px”][qodef_blockquote text=”What I consider to be aesthetic is not constant, it changes with my moods and perspectives.” title_tag=”h3″][vc_empty_space height=”15px”][vc_column_text]

As we started out workshop season again, and traveled up to Iceland for 3 weeks, I was excited to see how this new direction would translate to somewhere I had been to dozens of times, and a completely different environment. And sure enough, I made new images and approached places quite differently from before. There was surely some meat on these bones of development.

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March

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From Iceland we went straight to Florida for some large speaking engagements; I spoke on The Psychology of Visual Design and the Complete Creativity, and during both started easing in to my teaching the revelations I was having.

[/vc_column_text][vc_empty_space height=”15px”][qodef_blockquote text=”Creativity is born on a foundation of Technical Excellence.” title_tag=”h3″][vc_empty_space height=”15px”][vc_column_text]

When not working on my art and craft, I like to play guitar, and I’ll admit, I’m not as good as I would like. But I find the more I practice on my craft; left/right hand techniques, accuracy, strength, picking, scales, tone etc, the more creative I can be; allowing my innate sense of the aural aesthetic to come through in my playing.

This sits equally well with photography; the more we have to focus on the HOW, the more suppressed the WHY gets. If you want the innate creativity in you to flow, you have to become technically adept enough in the field and in front of the computer to remove any HOW barriers from getting in the way of your articulation.

I finished the month by running a workshop in Scotland and I’m currently fully engaged in the question of personal taste.

As I write this I am listening to Cello Concertos played by the brilliant Yo Yo Ma – the music creates a harmonic resonance in my office conducive to creative writing and a suitably calm, yet inspirational ambience!

Yesterday, when I was working an image from China, I was listening to guitar virtuoso Bucket head, whose harmonic mastery has changed how I feel images. These two choices of music could not be more dissimilar, but I love both.

[/vc_column_text][vc_empty_space height=”15px”][qodef_blockquote text=”Taste is not constant, and evolves as we become more open to making innate judgements rather than comparing what we like to acceptable benchmarks of societal approval.” title_tag=”h3″][vc_empty_space height=”15px”][vc_column_text]

I am a constantly changing and evolving human, I have no desire to stay the same, otherwise I’ll always think the same and do the same. I want to change, I want to be the best possible version of me. As I age, my physical capability is in decline, but I still have a good brain! Today, I don’t look outward for answers on how to improve me, I look inward. My work is growing as I further understand what it is in me that appreciates beauty, how that judgement of the aesthetic can change on a daily, or even hourly basis, and taking my work onward.

I began this article in retrospective melancholy, and answer my own question of how my increasingly introspective images would fit into a contemporary social media context, with this answer:

[/vc_column_text][vc_empty_space height=”15px”][qodef_blockquote text=”I make images for me, as they represent me. They help me understand me and have value to me.” title_tag=”h3″][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text]

Gallery

[/vc_column_text][vc_column_text]More images from Alister Benn from his travels in Western China.[/vc_column_text][vc_empty_space][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”56841″ img_size=”large” alignment=”center” onclick=”link_image”][vc_empty_space height=”15px”][vc_single_image image=”56843″ img_size=”large” alignment=”center” onclick=”link_image”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”56845″ img_size=”large” alignment=”center” onclick=”link_image”][vc_empty_space height=”15px”][vc_single_image image=”56831″ img_size=”large” alignment=”center” onclick=”link_image”][vc_empty_space height=”15px”][vc_single_image image=”56846″ img_size=”large” alignment=”center” onclick=”link_image”][vc_empty_space height=”15px”][vc_single_image image=”56842″ img_size=”large” alignment=”center” onclick=”link_image”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”56847″ img_size=”large” alignment=”center” onclick=”link_image”][vc_empty_space height=”15px”][vc_single_image image=”56839″ img_size=”large” alignment=”center” onclick=”link_image”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][vc_separator border_width=”3″][vc_empty_space height=”15px”][vc_column_text]

About Alister Benn

[/vc_column_text][vc_empty_space height=”15px”][vc_row_inner][vc_column_inner width=”1/6″][vc_single_image image=”56813″ img_size=”medium” alignment=”center” style=”vc_box_circle_2″][/vc_column_inner][vc_column_inner width=”5/6″][vc_empty_space height=”15px”][vc_column_text]Alister Benn is an award winning Scottish landscape photographer, author, educator, and guide. He lives on the isle of Skye off the north west coast of Scotland with his wife Juanli Sun. Each year they lead small group workshops and tours to select locations around the Scottish Highlands, Southern Iceland, Northern Spain and of course Tibet and the Himalaya.

Tours & Workshops | Portfolio | Facebook PageNewsletter[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_empty_space height=”15px”][vc_separator border_width=”3″][vc_empty_space height=”15px”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text]

Thanks for Reading!

[/vc_column_text][vc_column_text]That’s all we have for today! If you’ve been inspired, feel free to comment on this post or share your own thoughts with us on one of our social media channels you can reach us on Instagram with @topazlabs and Twitter with @topazlabs. We’re also on Facebook and YouTube! We look forward to sharing the rest of Alister Benn’s year in the very near future, but until then![/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text]

Free Download

[/vc_column_text][vc_column_text]Feel free to download our brand new product, Topaz Studio, the all-in-one photo editor. It works as a plugin, a host editor for your Topaz products, and a standalone editor. Best of all it’s completely free to use![/vc_column_text][vc_empty_space height=”15px”][vc_row_inner][vc_column_inner width=”1/2″][vc_btn title=”Windows” shape=”square” color=”primary” align=”center” button_block=”true” link=”url:https%3A%2F%2Fopen_beta.s3.amazonaws.com%2Ftopazstudio_online_installer.exe|||”][/vc_column_inner][vc_column_inner width=”1/2″][vc_btn title=”Mac” shape=”square” color=”primary” align=”center” button_block=”true” link=”url:https%3A%2F%2Fopen_beta.s3.amazonaws.com%2Ftopazstudio_online_installer.dmg|||”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]

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Rose Double Exposure with Topaz Studio

[vc_row][vc_column][vc_column_text]We are excited to share with our users, our brand new Topaz Product, Topaz Studio. Hazel Meredith with Meredith Images is back with us for this tutorial teaching some basic features in Topaz Studio such as choosing and tweaking effects, as well as using the Texture Adjustment to create double exposures.

 

[/vc_column_text][vc_empty_space height=”15px”][qodef_blockquote text=”This tutorial demonstrates just a small amount of the vast capabilities of the new Topaz Studio. It’s awesome to be able to use all of the Topaz products in one handy Studio!” title_tag=”h3″][vc_empty_space height=”15px”][vc_separator border_width=”3″][vc_empty_space height=”15px”][vc_column_text]

Not Familiar with Topaz Studio?

Topaz Studio is a fast, flexible, powerful creative toolbox and it’s the next level image editor for photographers. Topaz Studio gives you lightning fast results with Topaz’s exclusive image processing technology, in an intuitive, affordable, easy to use application. You can learn more about Topaz Studio in the Announcement and Overview article.

“This is all your Topaz products wrapped into one program.”

We’re Giving Topaz Studio Away! Yep, you read that right. You’ll get complete freedom to use Topaz Studio’s comprehensive masking, as well as 10 free adjustments, opacity slider, blending modes plus full functionality to use it as plugin, a host editor for all Topaz Labs existing products, and standalone all for free. If you’d like to learn more about all the free functionality within Topaz Studio, checkout our What’s Free? article.

 

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Free Download

[/vc_column_text][vc_empty_space height=”15px”][vc_row_inner][vc_column_inner width=”1/2″][vc_btn title=”Windows” shape=”square” color=”primary” align=”center” button_block=”true” link=”url:https%3A%2F%2Fopen_beta.s3.amazonaws.com%2Ftopazstudio_online_installer.exe|||”][/vc_column_inner][vc_column_inner width=”1/2″][vc_btn title=”Mac” shape=”square” color=”primary” align=”center” button_block=”true” link=”url:https%3A%2F%2Fopen_beta.s3.amazonaws.com%2Ftopazstudio_online_installer.dmg|||”][/vc_column_inner][/vc_row_inner][vc_empty_space height=”15px”][vc_separator border_width=”3″][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text]

Step 1: Open your Image

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I opened the Topaz Studio directly from my desktop as a “stand alone”. You have the option of working that way, or to open the Studio directly from Photoshop or Lightroom.

If you open Topaz Studio as a standalone, you can add images by simply dragging and dropping or by choosing File > Open Image…

If you chose to use Topaz Studio as a plugin, it can be found by choosing

Filter > Topaz Labs > Topaz Studio  in Photoshop.

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Step 2: Search for an Effect

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Topaz Studio has an awesome feature called the Topaz Community. It allows you to share effects with other Topaz Studio users. I have saved an Effect called Rose Double Exposure that works great for Raw files. To apply the Rose Double Exposure preset, simply search for it in the Effect Panel. 

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Step 3: Editing Your Image

[/vc_column_text][vc_empty_space height=”15px”][vc_column_text]When you initially apply the Double Exposure preset, you will notice there are no changes made to your image. All Adjustments are set to default values. This allows you to go through each Adjustment and make the necessary tweaks tailored specifically to your image. This effect is a great starting point to know which Adjustments to use in a complete workflow from start to finish.

I went down the preset making changes to the Basic Adjustment, and then tweaks to the Reduce Noise, Precision Contrast, Tone Curves, HSL Color Tuning, and Vignette Adjustments. I did not make any changes to DeHaze or Dual Tone.

Once I was satisfied, I chose to Apply the effect.

You may wish to Save As to keep the image saved with just this preset for future use.

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Before

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After

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Step 3: Apply the Expressionalism Effect

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Next, I re-opened the Effects panel to see what else I wanted to do.

I went to the Fine Art category of Effects Panel. To browse through the various Effect categories, click the more button at the bottom of the Effects Toolbar. I liked the “Expressionalism” preset. As soon as you apply an effect, you will see the Adjustments populate in the Adjustment Panel on the right-hand side of the screen. 

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Step 4: Customize the Expressionalism Effect

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From here I opened the Basic Adjustment section and lowered the Highlight slider to -.38 just to tone down the brighter areas of the rose. I also lowered the Saturation to -.21. I did not make any further changes to this preset. Again, you may want to save a copy of your image for future use.

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Step 5: Add a Texture

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Next, I added a Texture Adjustment to my image by clicking More icon at the bottom of your Adjustment toolbar (bottom right). You will see an asset library that shows all of the textures, backgrounds, borders, light leaks, dust & scratches layers, etc. You can choose the Group you want by clicking the drop down next to Group.

I chose the brick wall texture to give my rose the illusion of being painted on the wall! After making a few adjustments to the sliders, I clicked on the “+ Enhance” in the lower right of the palette, and chose Black & White. This made the brick texture B&W to reduce the effect on the colors of the rose.

 

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Gallery

[/vc_column_text][vc_empty_space height=”15px”][vc_column_text]Here are some more edits that were made using the same process in Topaz Studio. Thanks for reading and I hope you enjoyed it![/vc_column_text][vc_empty_space height=”15px”][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”8809″ img_size=”large” alignment=”center”][vc_column_text]

Before

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Before

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After

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After

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Step 6: Save Your Work

[/vc_column_text][vc_empty_space height=”15px”][vc_column_text]When you are satisfied with your edits, Save your image by Clicking File > Save As…

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That’s All For Today

[/vc_column_text][vc_column_text]Thanks for reading! That’s just one of the many things you can effortlessly accomplish in Topaz Studio. Topaz Studio is great for gaining inspiration from pre-made effects or allowing you to create your own looks with our immense library of editing tools.

We’ll be adding more tutorials and videos so be sure to give us a follow to learn more!

If you’d like to share your images with us, tag us on Instagram with @topazlabs and Twitter with @topazlabs. We’re also on Facebook and YouTube![/vc_column_text][vc_empty_space][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

Free Download

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About Hazel Meredith

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Hazel is involved with the photographic community on local, regional and national levels. She is currently secretary of the Connecticut Association of Photographers; and a Vice President on the board of the New England Camera Club Council. She is active in the Greater Bridgeport Camera Club where she has held several officer positions, and is also active in the Photographic Society of America (PSA). In 2008 she received an honors distinction of Master Member of the New England Camera Club Council (MNEC) during its annual conference, and in September, 2013, she was awarded the distinction of APSA from the Photographic Society of America at their annual conference. Hazel teaches at many New England camera clubs as well as photographic conferences and events throughout the U.S. She offers workshops and travel photo trips through her company, Meredith Images. She is a regular webinar presenter for Topaz Labs, and she released her first eBook,“Working with Textures & Overlays: Turn Ho-Hum into a Work of Art”in October 2015.

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