Tag: Topaz Labs

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How to Use Tone Curves

[vc_row][vc_column][vc_column_text]Tutorial created with Topaz Studio V1.0.8[/vc_column_text][vc_column_text]Hi everyone! Today I’ll be going over the Tone Curves Adjustment in Topaz Studio. This Adjustment is very versatile and allows you to make technical corrections and artistic changes alike. I’ll be showing how you can achieve both styles today. It’s pretty amazing how a touch of this adjustment can dramatically change your image.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text]

Overview of the Tone Curves Adjustment

[/vc_column_text][vc_empty_space height=”15px”][vc_column_text]In photo editing, a curve is a remapping of image tonality. Curves can affect the overall tonality of an image, or individual channels. Applying Tone Curves to all channels will affect the brightness, shadows, and contrast while applying Tone Curves to individual channels will affect the image color.[/vc_column_text][vc_empty_space height=”15px”][vc_column_text]

[caption id="attachment_55769" align="alignnone" width="1200"] Original[/caption] [caption id="attachment_55772" align="alignnone" width="1200"] After Tone Curves[/caption]

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What You’ll Need

[/vc_column_text][vc_empty_space height=”15px”][vc_column_text]This introductory level walkthrough is really easy to follow along with but you will need just a few things if you’d like to follow along with me:

1. Topaz Studio. You’ll need Topaz Studio on your computer if you’d like to follow along during this tutorial. It’s free to download and Tone Curves is always free to use.

2. An Image. Grab any image to follow along and try it out for yourself.

3. About 10 minutes. This beginner’s level tutorial will only take about 10 minutes to complete.[/vc_column_text][vc_empty_space height=”15px”][vc_column_text]Don’t have Topaz Studio? Topaz Studio is free to download! You can get it now by using the links below. If you need more information about Topaz Studio, check out this overview: Introducing Topaz Studio[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][vc_row_inner][vc_column_inner][vc_text_separator title=”Download Topaz Studio” color=”custom” css_animation=”none” accent_color=”#7c7c7c”][vc_empty_space][/vc_column_inner][/vc_row_inner][vc_row_inner content_aligment=”center” animation_in_type=”transition.slideUpIn” animation_in_offset=”100″ animation_in_duration=”800″ animation_in_delay=”0″][vc_column_inner width=”1/2″ alignment=”center”][ucaddon_uc_icon_hover_effect_button text=”Macintosh” icon=”fa fa-apple” link=”http://d2xkriaa67cpt4.cloudfront.net/topazstudio_online_installer.dmg” background_color=”#0f9af8″ uc_fonts_data=”JTdCJTdE”][vc_empty_space height=”20px”][/vc_column_inner][vc_column_inner width=”1/2″ alignment=”center”][ucaddon_uc_icon_hover_effect_button text=”Windows” icon=”fa fa-windows” link=”http://d2xkriaa67cpt4.cloudfront.net/topazstudio_online_installer.exe” background_color=”#0f9af8″ uc_fonts_data=”JTdCJTdE”][vc_empty_space height=”20px”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][vc_single_image image=”55776″ img_size=”large” alignment=”center”][vc_column_text]

An open image in Topaz Studio, edited with 4 different Tone Curves Adjustments. The Effects Panel, Scopes Panel, and Workspace Panel are all minimized for this tutorial.

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Adjustment Overview

[/vc_column_text][vc_empty_space height=”15px”][vc_row_inner][vc_column_inner width=”1/4″][vc_empty_space height=”15px”][vc_single_image image=”55778″ img_size=”full” alignment=”center”][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]The Tone Curves Adjustment looks a lot different than other Adjustments within Topaz Studio. Instead of sliders, the Tone Curves Adjustment features a grid and 4 different channels: All, Red, Green, and Blue.

The Channels and What They Do:

All: Technically manipulate and change aspects of the image’s exposure. Add contrast, increase shadows, and increase highlights.

Red: Increase Red or Cyan in an image.

Green: Increase Green or Magenta in an image.

Blue: Increase Blue or Yellow in an image.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_empty_space][/vc_column][/vc_row][vc_row][vc_column][vc_column_text]

Add the Tone Curves Adjustment

[/vc_column_text][vc_empty_space height=”15px”][vc_column_text]NOTE: We will not be using 1-click effects, the workspace, or the scopes panel. I have minimized these areas to make my canvas bigger. You can do this by clicking on the border edge arrow. To open them back up, click again.

There are a few different ways to add the Tone Curves Adjustment in Topaz Studio.

  1. Click the Tone Curves Adjustment icon in the Adjustment Buttons. All 10 free adjustments are located here.
  2. Click the More Button in the Adjustment Buttons to show a list for all Adjustments. Click Tone Curves Adjustment to add it to your Adjustment Stack.
  3. Go to Menu > Adjustment >Tone Curves Adjustment to add the Tone Curves Adjustment.

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Adjust RGB Tonality

[/vc_column_text][vc_empty_space][vc_column_text][/vc_column_text][vc_empty_space height=”15px”][vc_column_text]Changing the RGB Channel will affect the lightness and darkness in an image.

Tip: Most people add an S-Curve. This is where one point is above the Curve Line and one point is below to create a subtle S Shape.

Try It: Use your mouse or stylus to click and drag points to change the Curve Line. You will see how your image and histogram change. You can add as few or as many points as you like to change your image. The shadows, highlights, and contrast will be affected when you update the RGB Channel.

 

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Before and After

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[caption id="attachment_55769" align="alignnone" width="1200"] Original[/caption] [caption id="attachment_55860" align="alignnone" width="1200"] After RGB Adjustment[/caption]

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Here you can see how a slight S Curve can affect the image contrast.

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Adjust the Red Channel

[/vc_column_text][vc_empty_space][vc_column_text][/vc_column_text][vc_empty_space height=”15px”][vc_column_text]Changing the Red Channel will add Red when the points are above the Curve Line and Cyan when the points are below. If a point is above and one is below, you will start to notice a slight dual tone effect.

Try It: Use your mouse or stylus to click and drag points to change the Red Channel Curve Line. You will see how your image and histogram change. You can add as few or as many points as you like to change your image (while I prefer one point you may prefer more). Experiment with the Red Channel and see how your image is affected.

 

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Before and After

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[caption id="attachment_55769" align="alignnone" width="1200"] Original[/caption] [caption id="attachment_55970" align="alignnone" width="1200"] After Red Channel Adjustment[/caption]

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The Red Channel affects reds in an image.

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Adjust the Green Channel

[/vc_column_text][vc_empty_space][vc_column_text][/vc_column_text][vc_empty_space height=”15px”][vc_column_text]Changing the Green Channel will add Green when the points are above the Curve Line and Magenta when the points are below. If a point is above and one is below, you will start to notice a slight dual tone effect.

Try It: Use your mouse or stylus to click and drag points to change the Green Channel Curve Line. You will see how your image and histogram change. You can add as few or as many points as you like to change your image. Experiment with the Green Channel and see how your image is affected. You may like to add green or to add magenta.

 

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Before and After

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[caption id="attachment_55769" align="alignnone" width="1200"] Original[/caption] [caption id="attachment_56003" align="alignnone" width="1200"] After Green Channel Adjustment[/caption]

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The Green Channel affects green in an image.

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Adjust the Blue Channel

[/vc_column_text][vc_empty_space][vc_column_text][/vc_column_text][vc_empty_space height=”15px”][vc_column_text]Changing the Blue Channel will add Blue when the points are above the Curve Line and Yellow when the points are below. If a point is above and one is below, you will start to notice a slight dual tone effect.

Try It: Use your mouse or stylus to click and drag points to change the Blue Channel Curve Line. Experiment and see how your image is affected with more blue or more yellow.

 

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Before and After

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[caption id="attachment_55769" align="alignnone" width="1200"] Original[/caption] [caption id="attachment_56021" align="alignnone" width="1200"] After Blue Channel Adjustment[/caption]

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The Blue Channel affects blues in an image.

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Combine Tone Curves and Masking Tutorial

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That’s It!

[/vc_column_text][vc_column_text]From bold and colorful to subtle and realistic, that’s everything you can accomplish with the Tone Curves Adjustment in Topaz Studio and how you can do it! I hope you tried out a few new things today and learned a little about the endless possibilities within Topaz Studio.

We’ll also be adding more tutorials and videos so be sure to give us a follow to learn more!

If you’d like to share your images with us, tag us on Instagram with @topazlabs and Twitter with @topazlabs. We’re also on Facebook and YouTube![/vc_column_text][vc_empty_space][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space height=”15px”][vc_empty_space height=”15px”][vc_column_text]

About Jodi L. Robbins

[/vc_column_text][vc_empty_space height=”15px”][vc_row_inner][vc_column_inner width=”1/4″][vc_single_image image=”8523″ img_size=”” alignment=”center” style=”vc_box_circle_2″][/vc_column_inner][vc_column_inner width=”3/4″][vc_column_text]Jodi is currently the Art Director of Topaz Labs. She has been an artist and photographer for over 15 years, starting with black and white film photography and alternative processing. After completing her BFA in Studio Art from Southern Methodist University and her Masters in Photography from Savannah College of Art and Design, she worked in product photography for companies such as Heritage Auctions, Neiman Marcus, and the Dallas Cowboys.[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_empty_space height=”15px”][vc_empty_space height=”15px”][/vc_column][/vc_row]

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A Photographer’s Year by Alister Benn

Alister Benn a Year in Review

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Meet Alister Benn

[/vc_column_text][vc_empty_space height=”15px”][vc_column_text]I’ve been making photographs since I was a teenager, with growing aptitude and confidence. At the end of each year I reflect on the past 12 months and usually conclude that I like my most recent work the most. Why should this be? It is not always the case that I have been to the most dramatic landscape in the world, or had the best light, or upgraded to the latest camera. Instead, I have concluded that my preference for my most recent work is because it represents the best version of me, as I am today.

As we entered 2017, I made a commitment to diarize my personal and creative development and summarize it in a quarterly article. Here is my opportunity to share the little and the large revelations I feel are contributing to my own creative growth, along with some of my most recent images.

[/vc_column_text][vc_empty_space height=”15px”][qodef_blockquote text=”At the end of each year I reflect on the past 12 months and usually conclude that I like my most recent work the most. Why should this be?” title_tag=”h3″][vc_empty_space][/vc_column][/vc_row][vc_row][vc_column][vc_row_inner][vc_column_inner][vc_single_image image=”56824″ img_size=”large” alignment=”center” onclick=”link_image”][vc_column_text]

Winterscape

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December

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In the middle of the month, at the end of our workshop season, the weather here on the Isle of Skye was foul; storm after storm battered the island and I was stuck in the house for days. Occasional hikes in gales only darkened my melancholy and I was frustrated, troubled with how my increasingly introspective images would fit into a contemporary social media context. Christmas came and went and as I entered the New Year I did so with my usual bird count around the local bay. As I hiked in the mid winter gloom, I knew I had to take some drastic action, and when I got home mentioned to my wife that perhaps we should take a trip to Western China to check out the deserts of the Silk Road.

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Harmonic III

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January

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On the 3rd of January we drove over to Inverness and flew to Urumqi in Xinjiang Province for three weeks exploring some areas we’d never been to. We’ve always been a spontaneous couple, but this was quick, even for us! I’ve had an adventurous life, but I wasn’t prepared for this place: The tallest static sand dunes in the world, rising to over 1700 feet covering an area half the size of Scotland. The driver, plus my wife and I were the only people within thousands of square miles, apart from a very few isolated farmsteads, which are home to the hardy camel/goat herders. Each day we would drive the Land cruiser for miles, up and over these monster dunes, vista after vista of unbelievable scale and majesty. Oh, and it was -20C!

On day two I had an epiphany – a true eureka moment. In a landscape where everything is sand, with no traditional subjects, I had to recalibrate the way I see!

For some time I have been interested in our innate ability to appreciate the aesthetic, and in the desert I started to allow my mind to wander unconstrained over the landscape – subconscious, experiential seeing, the feeling of seeing, what I now call The Chi of Seeing. I would simply stare unfocussed on the flow of the landscape and make photographs at the moments when I was compelled to do so by the feel of the relationships I subconsciously responded to!

[/vc_column_text][vc_empty_space height=”15px”][qodef_blockquote text=”What I was responding to was how the underlying geometry of the landscape made me feel. ” title_tag=”h3″][vc_empty_space height=”15px”][vc_column_text]

In one metaphorical CTR-ALT-DEL moment, I had rebooted my brain from a traditional western cultural upbringing, to one that was unconstrained and free to make personal judgements on what I found aesthetic, regardless of their adherence or not to concepts of correctness.

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In the Labyrinth

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February

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Returning home from China, I had some significant writing commitments to take care of, but I did manage to start looking at the images I had made in the desert. Putting the shots that just showed where we had been to one side, I quickly identified the images I had made based on feel. I graded them 4’s and 5’s in Lightroom and got back to my writing.

Each day, when I was taking a break, I’d take a look at these images and would often find that one in particular would leap out at me and almost demand to be worked, as if it was again clearly communicating directly to my subconscious and articulating a creative direction it wanted me to go in. I’ve spent a lot of time over the years on my processing techniques, and have developed a very innate way of getting the creativity out of my head and into the image with as little thought as possible. All I care about is the WHY, not the HOW.

Through this innate way of seeing and processing, I began to make images that really excited me – to me they were simple, yet profound and each day I was anticipating strengthening that relationship with my work.

The second epiphany of the year came when I realized that the images I responded to each day were different. I am not the same every day; some days I am more energetic, more thoughtful, calmer, optimistic etc. The innate relationships I responded to on each day and how I approached the processing somehow represented a harmony between how I was feeling and the geometry that I found to be aesthetic!

[/vc_column_text][vc_empty_space height=”15px”][qodef_blockquote text=”What I consider to be aesthetic is not constant, it changes with my moods and perspectives.” title_tag=”h3″][vc_empty_space height=”15px”][vc_column_text]

As we started out workshop season again, and traveled up to Iceland for 3 weeks, I was excited to see how this new direction would translate to somewhere I had been to dozens of times, and a completely different environment. And sure enough, I made new images and approached places quite differently from before. There was surely some meat on these bones of development.

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March

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From Iceland we went straight to Florida for some large speaking engagements; I spoke on The Psychology of Visual Design and the Complete Creativity, and during both started easing in to my teaching the revelations I was having.

[/vc_column_text][vc_empty_space height=”15px”][qodef_blockquote text=”Creativity is born on a foundation of Technical Excellence.” title_tag=”h3″][vc_empty_space height=”15px”][vc_column_text]

When not working on my art and craft, I like to play guitar, and I’ll admit, I’m not as good as I would like. But I find the more I practice on my craft; left/right hand techniques, accuracy, strength, picking, scales, tone etc, the more creative I can be; allowing my innate sense of the aural aesthetic to come through in my playing.

This sits equally well with photography; the more we have to focus on the HOW, the more suppressed the WHY gets. If you want the innate creativity in you to flow, you have to become technically adept enough in the field and in front of the computer to remove any HOW barriers from getting in the way of your articulation.

I finished the month by running a workshop in Scotland and I’m currently fully engaged in the question of personal taste.

As I write this I am listening to Cello Concertos played by the brilliant Yo Yo Ma – the music creates a harmonic resonance in my office conducive to creative writing and a suitably calm, yet inspirational ambience!

Yesterday, when I was working an image from China, I was listening to guitar virtuoso Bucket head, whose harmonic mastery has changed how I feel images. These two choices of music could not be more dissimilar, but I love both.

[/vc_column_text][vc_empty_space height=”15px”][qodef_blockquote text=”Taste is not constant, and evolves as we become more open to making innate judgements rather than comparing what we like to acceptable benchmarks of societal approval.” title_tag=”h3″][vc_empty_space height=”15px”][vc_column_text]

I am a constantly changing and evolving human, I have no desire to stay the same, otherwise I’ll always think the same and do the same. I want to change, I want to be the best possible version of me. As I age, my physical capability is in decline, but I still have a good brain! Today, I don’t look outward for answers on how to improve me, I look inward. My work is growing as I further understand what it is in me that appreciates beauty, how that judgement of the aesthetic can change on a daily, or even hourly basis, and taking my work onward.

I began this article in retrospective melancholy, and answer my own question of how my increasingly introspective images would fit into a contemporary social media context, with this answer:

[/vc_column_text][vc_empty_space height=”15px”][qodef_blockquote text=”I make images for me, as they represent me. They help me understand me and have value to me.” title_tag=”h3″][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text]

Gallery

[/vc_column_text][vc_column_text]More images from Alister Benn from his travels in Western China.[/vc_column_text][vc_empty_space][vc_row_inner][vc_column_inner width=”1/3″][vc_single_image image=”56841″ img_size=”large” alignment=”center” onclick=”link_image”][vc_empty_space height=”15px”][vc_single_image image=”56843″ img_size=”large” alignment=”center” onclick=”link_image”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”56845″ img_size=”large” alignment=”center” onclick=”link_image”][vc_empty_space height=”15px”][vc_single_image image=”56831″ img_size=”large” alignment=”center” onclick=”link_image”][vc_empty_space height=”15px”][vc_single_image image=”56846″ img_size=”large” alignment=”center” onclick=”link_image”][vc_empty_space height=”15px”][vc_single_image image=”56842″ img_size=”large” alignment=”center” onclick=”link_image”][/vc_column_inner][vc_column_inner width=”1/3″][vc_single_image image=”56847″ img_size=”large” alignment=”center” onclick=”link_image”][vc_empty_space height=”15px”][vc_single_image image=”56839″ img_size=”large” alignment=”center” onclick=”link_image”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][vc_separator border_width=”3″][vc_empty_space height=”15px”][vc_column_text]

About Alister Benn

[/vc_column_text][vc_empty_space height=”15px”][vc_row_inner][vc_column_inner width=”1/6″][vc_single_image image=”56813″ img_size=”medium” alignment=”center” style=”vc_box_circle_2″][/vc_column_inner][vc_column_inner width=”5/6″][vc_empty_space height=”15px”][vc_column_text]Alister Benn is an award winning Scottish landscape photographer, author, educator, and guide. He lives on the isle of Skye off the north west coast of Scotland with his wife Juanli Sun. Each year they lead small group workshops and tours to select locations around the Scottish Highlands, Southern Iceland, Northern Spain and of course Tibet and the Himalaya.

Tours & Workshops | Portfolio | Facebook Page | Newsletter[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_empty_space height=”15px”][vc_separator border_width=”3″][vc_empty_space height=”15px”][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text]

Thanks for Reading!

[/vc_column_text][vc_column_text]That’s all we have for today! If you’ve been inspired, feel free to comment on this post or share your own thoughts with us on one of our social media channels you can reach us on Instagram with @topazlabs and Twitter with @topazlabs. We’re also on Facebook and YouTube! We look forward to sharing the rest of Alister Benn’s year in the very near future, but until then![/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text]

Free Download

[/vc_column_text][vc_column_text]Feel free to download our brand new product, Topaz Studio, the all-in-one photo editor. It works as a plugin, a host editor for your Topaz products, and a standalone editor. Best of all it’s completely free to use![/vc_column_text][vc_empty_space height=”15px”][vc_row_inner][vc_column_inner width=”1/2″][vc_btn title=”Windows” shape=”square” color=”primary” align=”center” button_block=”true” link=”url:https%3A%2F%2Fopen_beta.s3.amazonaws.com%2Ftopazstudio_online_installer.exe|||”][/vc_column_inner][vc_column_inner width=”1/2″][vc_btn title=”Mac” shape=”square” color=”primary” align=”center” button_block=”true” link=”url:https%3A%2F%2Fopen_beta.s3.amazonaws.com%2Ftopazstudio_online_installer.dmg|||”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]

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Topaz Studio v 1.0.6 Introducing the New Healing Tool

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Created with: Topaz Studio version 1.0.8

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Introducing Healing

Hello, all you avid Topaz fans! Today we’re excited to walk you through the latest feature in Topaz Studio, our new healing brush. The Healing tool, now available within Topaz Studio as of version 1.0.6, is our most highly requested Topaz Studio feature, and is available to all users of Topaz Studio absolutely free. The healing brush allows for intelligent removal of blemishes, distracting secondary subjects, or background cleanup of your image. Using this new tool is simple, just select the tool, change the radius of your brush to fit what you’d like to remove, brush it out and let Topaz Studio do the rest.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][vc_separator][vc_empty_space height=”15px”][vc_column_text]

Watch The Video Instead?

If you don’t feel like following along in a tutorial you can watch me try the tool out on a few images in the following video.
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Example 1: Blemish Removal

So let’s go ahead and get started. If you’ve used healing before in Photoshop or Lightroom you’ll be familiar with this workflow.  have here an image of my family member. I took this photo years ago and haven’t done anything with it. She’s very pretty, of course, being related to me, but there are some things I’d like to clean up on the skin on her face. This will get rid of a few distracting blemishes and draw the focus more towards features of her face that I want to emphasize like her eyes, lips, and hair.[/vc_column_text][vc_empty_space][vc_single_image image=”55594″ img_size=”full” alignment=”center” onclick=”link_image”][vc_empty_space][vc_row_inner][vc_column_inner width=”1/2″][vc_column_text css=”.vc_custom_1499781744430{padding-top: 20px !important;}”]First off, I want to clean up my workspace so I have a little bit more room to work. Since I know that I’m working on the image and not going to start with an effect, I’ll close the effect window by clicking on the bar directly to the right of that window.

Also since I don’t want to change images, I’m going to go ahead and collapse the image browser by clicking on the thin bar at the top of the image browser. This gives me a much cleaner workspace to use as I focus on cleaning up this image. You can always open those panels again by clicking on the bars to toggle expanding or collapsing them.[/vc_column_text][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”55595″ img_size=”full” onclick=”link_image”][/vc_column_inner][/vc_row_inner][vc_empty_space][vc_row_inner][vc_column_inner width=”1/2″][vc_single_image image=”55596″ img_size=”large” onclick=”link_image”][/vc_column_inner][vc_column_inner width=”1/2″][vc_column_text css=”.vc_custom_1499781783873{padding-top: 20px !important;}”]I’ll go ahead and zoom in on my image, so we can see the blemishes that were wanting to remove and get a little bit more detail on the skin.

See you can see on this image I’ve marked some of the blemishes that I’d like to remove. You can see a few blemishes on her chin a freckle below her eye, and some other general cleanup I’d like to do. That’s going to be really easy to do with a healing tool.[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css=”.vc_custom_1499750369090{padding-top: 20px !important;padding-bottom: 20px !important;}”][vc_column width=”2/3″][vc_column_text]In order to find the healing tool you’ll go to the toolbar that pops up on the right side of your screen and you’ll see a little bandage icon in the image below that says “heal” Just click that, and the healing brush size slider will appear. It’s really easy to see the size brush you want, with a nice preview on your image of your brush size. However, since we’re working on light blemishes, I’ll work with a small brush. [/vc_column_text][/vc_column][vc_column width=”1/3″][vc_single_image image=”54837″ img_size=”medium” onclick=”link_image”][/vc_column][/vc_row][vc_row css=”.vc_custom_1499750369090{padding-top: 20px !important;padding-bottom: 20px !important;}”][vc_column width=”1/3″][vc_single_image image=”55598″ img_size=”large” onclick=”link_image”][/vc_column][vc_column width=”2/3″][vc_column_text css=”.vc_custom_1499782717877{padding-top: 20px !important;}”]The healing tool makes it really easy to remove blemishes with just a click. s you can see in this image, just paint over your image with the brush, release your mouse, and the blemishes will disappear. So i’ll we’ll do is paint over each point that i’ve highlighted in the image above with the healing tool and very quickly we’re able to clean up some of the small blemishes that could distract from the main features of my subject.

Below you can see the before, the area’s I’ve painted in, and the after.

If you’d like to see the before and after in your image, it’s very simple to do. You just need to make sure you have the healing tool selected, then you can press the spacebar to show your before image, and release to show your image after healing.[/vc_column_text][/vc_column][/vc_row][vc_row css=”.vc_custom_1499750369090{padding-top: 20px !important;padding-bottom: 20px !important;}”][vc_column][vc_row_inner disable_element=”yes”][vc_column_inner width=”1/2″][vc_single_image image=”55599″ img_size=”large” add_caption=”yes” onclick=”link_image”][/vc_column_inner][vc_column_inner width=”1/2″][vc_single_image image=”55600″ img_size=”large” add_caption=”yes” onclick=”link_image”][/vc_column_inner][/vc_row_inner][vc_column_text]

[caption id="attachment_55599" align="alignnone" width="1200"] Original[/caption] [caption id="attachment_55600" align="alignnone" width="1200"] After Heal Tool[/caption]

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So how does it work?

Healing tools tend to all work the same way. Once you paint out a section of your image, it effectively creates a hole within that image, which the software has to try to figure out how to fill with the correct content.

Tools like Photoshop use a system called “patch match” which analyzes your image and looks for the best patch to copy from another section of the image based on the content around the hole you’ve created with your brush. It then fills the hole you’ve created with the healing brush with the best patch it can determine will fit that spot.

The Healing Tool within Topaz Studio uses a method called Statistical Measure, which analyzes the image and compares dozens of different patches that could fit to find the most reasonable result on a per pixel basis. So instead of finding one patch to fill in the hole we’ve created, we’re comparing dozens of different areas and finding the best statistical fit for each pixel within the selected healing area. It ads a bit of processing time to the tool, but results in a much more natural and accurate heal in most cases. [/vc_column_text][vc_empty_space height=”15″][vc_separator][/vc_column][/vc_row][vc_row css=”.vc_custom_1499750369090{padding-top: 20px !important;padding-bottom: 20px !important;}”][vc_column][vc_single_image image=”55604″ img_size=”full” onclick=”link_image”][vc_empty_space][vc_column_text css=”.vc_custom_1499783208304{padding-top: 20px !important;}”]

Example 2: Removing distracting secondary subjects and distracting background items

For my next image, I have a photo I took of some geese in my yard most definitely not tearing it up. I don’t really like geese, they’re kind of the jerks of the bird world. But as with most jerks, they definitely want to be the center of attention in this image. Like they say, if you can’t beat em, then join em. We’re going to work to get all the other distractions out of this image, so they can have the spotlight for a moment before I shoo them away. You can see with this image there’s a lot of distractions big and small. [/vc_column_text][vc_row_inner][vc_column_inner width=”1/3″][vc_empty_space][vc_single_image image=”55605″ img_size=”medium” alignment=”center” onclick=”link_image”][vc_column_text]

For big distractions we have these large swaths of bare ground, and also the baby goose.

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There’s also some medium sized  distracting objects in the background like those pillars.

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And then there’s small areas that draw your eye like these orange spots, and feathers laying in the grass.

[/vc_column_text][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row][vc_row css=”.vc_custom_1499750369090{padding-top: 20px !important;padding-bottom: 20px !important;}”][vc_column][vc_column_text css=”.vc_custom_1499783450090{padding-top: 20px !important;}”]Whatever the size distraction the process is the same. We’ll use the healing brush to cover up the spots we’d like to remove in red, then release the mouse to let Topaz Studio do the rest.

Even with the larger areas it’s not too terribly important that you be precise with your masking. You don’t have to just select the goose or the dirt, it’s ok to go a little outside the lines.[/vc_column_text][vc_row_inner][vc_column_inner][vc_column_text]

[/vc_column_text][/vc_column_inner][/vc_row_inner][vc_column_text css=”.vc_custom_1499784540612{padding-top: 20px !important;}”]Here we can see our before and after. We were able to very quickly clean up the distracting parts of the image and get a much cleaner more professional looking composition without a lot of fuss.

And that’s the Topaz Studio Healing Tool. It may seem pretty simple, but don’t let it fool you it’s also quite powerful. Let me mention again that it’s available within Topaz Studio completely free. So if you haven’t yet, give it a whirl, we’d love to hear your thoughts about this awesome new tool.[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column][vc_empty_space][vc_column_text]

Download Topaz Studio Free

[/vc_column_text][vc_column_text]The healing tool is one of many free features available within Topaz Studio!

Don’t have Topaz Studio? Topaz Studio is free to download! You can get it now by using the links below. If you need more information about Topaz Studio, check out this overview: Introducing Topaz Studio

Topaz Studio is a simple to use editing platform with Topaz Labs’ powerful acclaimed photo enhancement technology. It works as a standalone editor, a plugin within Lightroom and Photoshop, as well as a host application for your other Topaz plugins. It is free to use the program, all 1-click effects, and 10 Adjustments.[/vc_column_text][vc_empty_space height=”15px”][vc_row_inner][vc_column_inner width=”1/2″][vc_btn title=”Windows” shape=”square” color=”primary” align=”center” button_block=”true” link=”url:https%3A%2F%2Ftopazlabs.s3.amazonaws.com%2Ftopazstudio_online_installer.exe|||”][/vc_column_inner][vc_column_inner width=”1/2″][vc_btn title=”Mac” shape=”square” color=”primary” align=”center” button_block=”true” link=”url:https%3A%2F%2Ftopazlabs.s3.amazonaws.com%2Ftopazstudio_online_installer.dmg|||”][/vc_column_inner][/vc_row_inner][/vc_column][/vc_row]